Etiketler

In The Company of Emperors: The Story of Ethiopian Armenians 67

By Ani Aslanian
Addis Ababa is the capital of Ethiopia and the seat of the African Union. Taking a stroll through the capital today, you may be entirely unaware of the extensive Armenian presence in the city during the modernization period of Ethiopia. Although Armenians and Ethiopians share a long history as members of the same branch of Orthodox Christianity, there is a lesser-known story regarding the contributions of Armenians in Addis Ababa and how they transformed a newly born agricultural town into a thriving capital of culture and commerce.


During the early 1900s, under the rule of Emperor Menelik II, there were approximately 50 Armenians in Addis Ababa. But the size of the community would soon grow tremendously and flourish with the turn of the century under Haile Selassie’s rule. Known by his official name, Tafari Makonnen Woldemikael, Haile Selassie was Ethiopia’s head of state from 1916 to 1930 and Emperor from 1930 to 1974. His life and legacy carry a fundamental role in African and Ethiopian history as well as in the Rastafari movement. In the case of the latter, he is considered a messianic and holy figure. In fact, the African-Jamaican spiritual ideology known as Rastafari gets its name from the imperial title of “Ras,” and Tafari — Selassie’s first name.

After becoming the regent and de facto ruler of Ethiopia in 1916, Selassie began to gradually modernize Ethiopia, beginning with the capital, Addis Ababa. He started by having Ethiopia admitted to the League of Nations in 1923 and his diplomatic trips in the following years aimed to solidify stable connections outside of Ethiopia. The first of these diplomatic visits was in 1924, when Selassie went on a trip to Europe and the Middle East in the hopes of establishing allies in Europe. But it was in the heart of the Middle East — in Jerusalem — that Selassie would soon become acquainted with the 40 Armenian orphans who would ultimately become the forerunners in the modernization of mainstream music in Ethiopia.

As Selassie toured Jerusalem, he visited the Armenian Quarter and marveled at the St. James Armenian Apostolic Church (Surb Hakobyants Vank.’) Selassie himself was a devout member of the Ethiopian Orthodox Church and he noted the striking similarities between the two churches, as well as the likeness in written script.

More significantly, however, it was on this day, as he was walking through the Armenian Quarter of Jerusalem, that Selassie observed a marching band composed of 40 young Armenian men; he was deeply moved by the band’s musical talent. After concluding his tour of the Armenian Church and district, Selassie had a conversation with Patriarch Turyan and learned that these 40 talented young musicians were orphans of the Armenian Genocide. He also learned of the terrible financial strain that came with raising these orphans. In response, Selassie offered to adopt and bring the marching band back with him to Addis Ababa.

The 40 Armenian orphans arrived to the capital on September 6, 1924, accompanied by Father Hovhannes Simonian, and officially became known as the Arba Lijoch (“forty children” in Amharic, the official language in Ethiopia.)


arba-lijochThe Arba Lijoch, photographed by Haigaz Boyajian, royal photographer of Ethiopia.

The Arba Lijoch formed the royal imperial brass band of Ethiopia and each of the children were allocated a monthly stipend, provided with housing and trained by their musical director, Kevork Nalbandian. Nalbandian was an Armenian orphan himself, originally from Aintab (modern-day Gaziantep) in the southeastern region of the Ottoman Turkish Empire. It was Nalbandian who led the Arba Lijoch with his musical compositions and Selassie was so impressed with the band’s compilations, he asked Nalbandian to compose the music for Ethiopia’s national anthem. In 1926, Nalbandian composed the Ethiopian Imperial National Anthem titled, “Teferi Marsh, Ethiopia Hoy,” which translates to “Ethiopia, be happy” and it was performed by the 40 orphans for the first time in public during Haile Selassie’s official crowning as Emperor on November 2, 1930 in Addis Ababa.

A recent project by Silva Sevlian, which was conducted during her time at the University of Southern California, documents the experience of the Armenian community in Addis Ababa at that time. Included in these documents is an oral account of an Armenian who witnessed one of the anniversaries of the coronation in the late 1950s.

Araxi Aslanian recalls the memory: “During [the anniversary of the]coronation, the emperor passed through the piazza and stopped in front of the Armenian Church. And the Armenian community was there to greet him. The heads of the community would salute him, and it so happened that I was eight years old. I gave flowers to the Emperor when I approached him, and he gave me his hand. Later, we were invited to the palace the following day, and when we went to the palace, I finally had the chance to see where the emperor that I had seen all my life lived!”

Aslanian wasn’t the only Armenian that Selassie had made an impact on. In fact, Selassie’s initial coronation on November 2, 1930 set a defining tone for the Arba Lijoch and the Armenian community in Ethiopia. The Arba Lijoch began performing for nearly every imperial event of the state, and later trained Ethiopia’s army and imperial bodyguard bands. These 40 orphans who were once deprived of their most earnest childhood memories due to genocide and dispossession had now found their beacon of hope through music. While not much is recorded about the personal lives of the 40 orphans, Mesfin Kebede, a native Ethiopian resident of Addis Ababa, possesses some documents that provide a look into the lives of the orphans, including their names, ages and hometowns.

Arba Lijoch names


Kebede recounts that the majority of the orphans were originally from various Armenian towns and that most of the orphans came from Vaspurakan (Van), Karin, Zeytun, and Sis. Kebede described the Arba Lijoch as “diligent, abstemious, and honest,” virtues that, according to him, “are qualities of the race to which they belong.”

While Selassie gave these orphans the opportunity for a new life, the Arba Lijoch gave Ethiopia the opportunity to modernize its music. Through their brass instruments and widespread musical instruction, the 40 orphans forever changed the framework of mainstream music in Ethiopia. Though it’s undeniable that select brass instruments were eminent in intimate circles of musicians in Addis Ababa since the early 1900s, it’s widely agreed by Ethiopian and non-Ethiopian musicians and scholars that the Arba Lijoch was both directly and indirectly responsible for modernizing popular music in Ethiopia.

Prior to the Arba Lijoch and Kevork Nalbandian, the prominent musical instruments in Ethiopia were mostly made of wood and string. For example, traditional Ethiopian folkloric music utilized ethnic instruments such as the ney and washint; similar to what the tsiranapogh (commonly known as duduk) instrument is to Armenian folk music. The replacement of wood and string instruments with brass instruments among popular music earned Arba Lijoch the prevalent recognition of being the pioneers of musical modernization in Ethiopia.

This musical development in Ethiopia took place in two phases. First, the imperial brass band trained and lent support to the development of other modern music ensembles such as the army, police, and imperial bodyguard bands. Secondly, as the Arba Lijoch began performing among crowds during national events throughout the years, musicians began to prefer new brass instruments as opposed to the more traditional wood and string.

Musician Vahe Tilbian, a fourth generation Armenian-Ethiopian who currently lives in Addis Ababa expands on the influence of the Nalbandians: “A good friend of mine and virtuoso of Ethio-jazz is Samuel Yirga who has taken the world by storm with his compositions and his piano skills. We often discuss music and it is never a doubt that musicians are grateful for Nerses Nalbandian’s work, which is highly commended and respected. Orchestras like the Either/Orchestra based in Boston have come all the way to Ethiopia to perform Nerses Nalbandian’s compositions.”

Currently, one of the most respected musical institutions in Ethiopia is the Yared School of Music at the Addis Ababa University, which Kevork Nalbandian, along with his Greek and Ethiopian colleagues, founded in 1954. The Yared School of Music’s periodical of 1973 reads: “Two Armenians Kevork (1924-1949) and Nersès Nalbandian (1930s-1977) were major forces in developing and nurturing modern Ethiopian band and orchestral music. Over the next 50 years, countless Ethiopian bands followed their same line-up and forged a stately brand of jazz-funk.”

The particular jazz-funk that the Yared periodical and Tilbian referenced was the emergence of a unique musical genre known as Ethiopian jazz (or, Ethio-jazz) that developed sometime in the mid-1950s and reached its peak in the late 1960s. During the initial years of Ethio-jazz, the first recording studio in Ethiopia was opened in 1952, by an Armenian musician named Garbis Haygazian. Haygazian, in collaboration with Kevork Nalbandian’s nephew, Nerses Nalbandian, would continue the tradition of Armenians in contemporary Ethiopian music by becoming founding fathers of this genre. Nerses carried Kevork’s musical legacy by becoming the musical director of the Haile Selassie National Theater in the 1950s, later composing the anthem for the African Union and, most importantly, influencing and training popular Ethiopian artists such as Mulatu Astatke. Among Ethiopian society today, Astatke is widely regarded as being the father of Ethio-jazz and evolving the orchestral brass band sounds of the Nalbandians to encompass jazz and funk tunes. His musical style incorporates a unique mix of Ethiopian melodic tunes through the medium of brass instruments.

A story passed down to Tilbian by one of the last remaining members of the Arba Lijoch, tells us that it was customary for the Arba Lijoch to play the national anthem for visiting diplomats. One year, Selassie’s interior had summoned the orphans to learn the anthem of Turkey in preparation of the visit of Turkish delegates. All 40 orphans, in protest, refused to learn the anthem, saying “We will not learn the anthem of a country that killed our parents.” After much pleading from the Ethiopian interior, the Arba Lijoch eventually learned the anthem. But when the time came to perform it to the visiting delegates, the orphans performed an ethnic Armenian song instead.

The plight of the Armenian orphans and residents of Addis Ababa was also well known to Selassie himself, for he lent special treatment to the Armenian community and believed in their good intentions towards Ethiopian society. Not only were the Armenians granted asylum, but they also had a special role within Ethiopia, which explains why the Armenians were the only ethnicity besides Ethiopians who were allowed to arrive to and depart from Ethiopia freely. In contrast, both Emperors Menelik II and Selassie often had doubts regarding their relations to other ethnicities and were generally weary of the possibility that the other ethnicities may attempt to colonize Ethiopia. Thus, the other ethnic minorities were forbidden to travel.

In a varying viewpoint to the popular theories of Ethiopian modernization, Ethiopian scholar Milkias Paulos suggests that prior to the 1900s, association with business was looked down upon by Ethiopian society at large. Paulos thus postulates that this is the reason why most of Ethiopia’s early businessmen, musicians and other professionals were mostly composed of professionals who were ethnically Greek and Armenian. In his book Haile Selassie, Western Education and Political Revolution in Ethiopia, Paulos provides a demographic of the ethnic minorities in Ethiopia that highlights the Armenian community at its peak in 1935 with a population of 2,800, slightly under the Greeks and Arabs. Though the numbers of the Ethiopian Armenians were marginal in comparison to other ethnic minorities, it’s undeniable that the influence of the Armenian community at times surpassed that of other communities. Even when the Armenian community numbered less than two hundred in 1909, an Italian map printed during the same year made a specific note to highlight the Armenian quarter just north of the Ras Makonnen Bridge.

The Armenian influence in Addis Ababa wasn’t just limited to the Arba Lijoch, but also encompassed various professional roles within a given society. While the Armenian orphans led the wave of musical modernization in Ethiopia, the Armenian community in Addis Ababa also governed the pharmaceutical and medical institutions at the turn of the 20th century.

Dr. Richard Pankhurst, a highly-renowned scholar of Ethiopian history, highlights figures such as the Devletian and Latifian families. He notes that Hovhanes Devletian was a native of the Van region and became Selassie’s personal physician, while the Latifians owned and managed the imperial pharmacy in Addis Ababa. This tradition of Armenian physicians and dentists is also present today: according to Kebede, one of the sons of the Arba Lijoch, Mesrop Sarkisian, is one of the most renowned dentists of Addis Ababa.

In modern times, when scholars and historians research and engage in the historiography of modern Ethiopia, they often utilize the primary visual sources that are largely indebted to the work of Bedros Boyadjian. Boyadjian, born in Tigranakert (modern-day Diyarbakir), in the Ottoman Empire, became the first royal photographer of Ethiopia. Initially, he was the photographer of Menelik II, and later became the photographer for Selassie’s imperial court. Boyadjian was widely acclaimed for developing a talent for photography that was different from the norm at the time. Almost defiantly, he incorporated female and male subjects in one sitting frame and habitually cropped and montaged photographs to depict his royal subjects in the most optimal way possible — a practice that was almost non-existent in Ethiopian royal photography prior to Boyadjian.


SelassieQueen Menen and Emperor Haile Selassie, photographed by Haigaz Boyadjian.

Engineering and city planning were also industries that Armenians in Ethiopia thrived in, with the most notable contributors being Krikor Howyan and Minas Kherbekian. Howyan was born in Constantinople, graduated from the prestigious Ecole Nationale University in Paris with a degree in mathematics, and later published many scientific studies. Most notably, however, he was the chief engineer of Addis Ababa and built many bridges throughout the capital, as well as one of Addis Ababa’s most well-known historic hotels: the Itegue.

Even before Haile Selassie assumed the position of emperor, Howyan had already established the first modern astronomical observatory in Addis Ababa in the imperial palace of Menelik. He also assumed an official position in the Astronomical Society of France (Société Astronomique de France) through the assistance of established networks throughout Europe. Howyan studied the constellations, meteors, and planets as seen from Addis Ababa and communicated his discoveries with the Astronomical Society of France on behalf of Ethiopia. When he wasn’t serving the Ethiopian royalty, he focused his attention on the small but thriving Armenian community in Addis Ababa. For example, Howyan constructed the first Armenian school in the country’s capital, in which Amharic, Armenian, English, and French languages were taught. The state-of-the-art school also included a gymnasium and a sports club named “Arax” after the Araxes River of the historic Armenian Highlands. And in 1943, a second sporting branch was opened, called the “Ararat Sporting Association.” A couple years prior to his death, Howyan split his will three ways: partly to his immediate family, partly to the Armenian community in Addis Ababa and partly to the newly established Armenian Republic.

Working under the patronage of Howyan was Minas Kherbekian, or better known by his nickname in Amharic, Betafras Minas, which translates to “Minas the house-crusher.” Kherbekian became to Addis Ababa what Haussmann was to Paris. According to accounts of the time, Kherbekian would walk around the city with a pointing stick and single out the structures in Addis Ababa that he deemed necessary for renovation or demolition. In their place, Kherbekian built new houses and institutions that incorporated traditional aesthetic motifs of Armenian, Arab, Italian and Ethiopian architecture to create unique structures.

Despite being frequently met with opposition and skepticism, Kherbekian remained devoted to his plans of modernization and a vision of an urban capital that was suitable for the 20th century. Most of Kherbekian’s constructions can still be seen in the capital today and are currently being renovated as part of an effort to preserve old Addis Ababa. Additionally, one of the buildings that Kherbekian had designed and built is one of Addis Ababa’s most well-known tourist attractions called the Mohammedaly house. During Kherbekian’s time, the Mohammedaly institution was the largest importing and exporting trade firm, and he was commissioned to construct the central headquarters. Today, the Armenian influence of Kherbekian’s distinguished design of the Mohammedaly house is most prominently evident in the pillared staircases with triangular designs. On the other hand, the residential structures of Kherbekian include intricately detailed balconies, which encircle the upper floors of his buildings. These two styles of infrastructure carry exemplary designs of architecture that can be traced to cities with long-standing Armenian cultural and historical backgrounds, such as Gyumri or Shushi.

While Howyan translated the visual poetry of the heavens into scientific studies and Kherbekian focused on infrastructure, their countryman Haig Patapan occupied himself with the intellectual realm. The extensive historiography of Armenian-Ethiopian relations is widely documented, thanks to Patapan’s 400-page text that was published in 1930 on the Armenian island of San Lazzaro in Venice, Italy. When he wasn’t translating the philosophical works of Friedrich Nietzsche into Armenian and Amharic, Patapan focused his attention on compiling encyclopedia-like texts about Ethiopian history.

One account of Ethio-Armenian relations tells us a story of Kherbekian. Patapan documented that shortly prior to Selassie’s crowning, Kherbekian concluded the construction of one of the most advanced bridges in Addis Ababa. Society at large, including Emperor Menelik II, doubted the modern design of the bridge and determined that it would not be secure enough for heavy traffic. The Emperor asked the crowd, “What fool would cross this bridge?” Confidently, Kherbekian replied, “I will be that fool.” He quickly called upon his friend and industrialist Sarkis Terzian to bring his latest invention, the steamroller, which was the heaviest machinery in Addis Ababa at the time, to test the bridge. Kherbekian successfully maneuvered the steamroller across the bridge while the diverse communities of Addis Ababa watched at the other end with their breath held in anticipation. When Kherbekian reached the other side of the bridge, Emperor Menelik II made his way to Kherbekian with a grin and bowed to him out of respect.

A notable Ethiopian historian, Bahru Zewde, addressed the influence of Terzian’s innovations in his book titled, A history of Modern Ethiopia: “The Armenians, also Orthodox Christians, like the Greeks, were welcomed to Ethiopia at a time when they were suffering persecution in their homeland. They were to attain the highest level of integration into Ethiopian society and they thrived mainly as craftsmen catering to the upper class. But one of their pioneers, Sarkis Terzian, made his fortune as an arms trader and his fame by introducing the steamroller (aptly named Sarkis ‘babur,’ the steam engine of Sarkis) into the country.”

By the year 1935, the Armenian population in Addis Ababa was roughly estimated at a little over 2,000. The extensive labor and love that the Armenians of Addis Ababa put out in the years prior had already solidified their reputation in Ethiopian society and in the eyes of Haile Selassie. Additionally, it seemed that Selassie had Armenian acquaintances outside of Ethiopia as well. For example, while Ethio-jazz was booming in the country’s capital in the 1950s, Selassie took a tour of the United States and had several meetings in San Francisco, California. Armenian entrepreneur and philanthropist George Mardikian frequented Selassie during his stay in the Bay Area with boxes of Armenian halva (a sunflower-seed-based candy).

When Selassie returned home to Addis Ababa, he continued his rule for many years to come until his death in 1975, under mysterious circumstances. According to Tilbian, this political strife took a toll on Ethiopia as a whole, but also on the Armenian community specifically. Reflecting on the dwindling numbers of the Armenians left in Addis Ababa today, Tilbian states “Most Armenians left when the Derg communist regime nationalized homes and businesses and currently more will leave for post secondary education.”

Indeed, today, there are about 100 Armenians remaining in Addis Ababa who stay interconnected largely in thanks to the Kevorkoff Armenian school and the St. George Apostolic Church, which continues to operate, thanks to Simon Hagopian, the son of one of the 40 orphans, and Archdeacon Vartkes Nalbandian. Equally imperative, Vahe Tilbian is producing music in English, Amharic and Armenian, while performing to various audiences in Ethiopia. When asked about music, and the Armenian community’s future prospects, the Armenian native of Addis Ababa had this to say:

“The older generation is more aware of the Armenian presence in Ethiopia while the younger generations who have gone to music school or are involved with music know of the Armenian contributions. I also meet strangers who, once they hear I am of Armenian descent, tell me stories of how their father was a friend with an Armenian family or they had Armenian neighbors back in the day. I would say, on the most part, Ethiopians view Armenians very positively. Armenians who came to Ethiopia during the Armenian Genocide and in the aftermath were given citizenship, allowed to live and work here, and were given land to build homes. It really is a great story of acceptance and finding a safe haven.”

Today’s global citizens are finding innovative ways to bring this vibrant community’s story to life through the medium of film. Filmmaker Aramazt Kalayjian is working on a documentary about the Armenian Ethiopians entitled, “TEZETA: The Ethiopian Armenians.” When asked about what he hopes to achieve through the film, Kalayjian says:

“It’s a story which documents the rare cultural co-creation that has existed between Armenians and Ethiopians that has developed so much in Ethiopia…  I want to share this inspiring story in the most fun, musical, and entertaining way so that our story as Armenians starts to diverge from the melancholic narrative we often find ourselves attached to, with regards to Genocide and past traumas that no longer need to serve as our driving force. There are aims and goals that we can set our minds and efforts to work towards that are higher than waiting for recognition or retribution. As prospering citizens of the world we have a chance to take hold of our future, this film aims to inspire that feeling.”

For the Arba Lijoch, Ethiopia not only became an asylum from genocide, but a place to thrive artistically and professionally, in the mold of Howyan and Kherbekian before them. As thanks for the opportunity, these “diligent, abstemious, and honest” Armenians left their enduring mark on the history of Ethiopia and its rich culture.

Share on FacebookTweet about this on TwitterShare on Google+Share on RedditEmail this to someone
ABOUT AUTHOR

Ani Aslanian
ANI ASLANIAN
Ani Aslanian is a graduate of the University of California, Irvine, where she double majored in Philosophy and European Studies, with a minor in Humanities & Law.
RELATED POSTS

Teishebaini Urartu skull - Armen Martirosian - The Armenite
An Epic Archaeological Dig is Rushing to Excavate a Massive 2,600-Year-Old Cemetery in Armenia
Flickr / Patrick Denker
American Gospel: Selling Mormon Salvation in the Ottoman Empire
Sardarabad wall - Chaojoker - The_Armenite
Fighting to Live: A Story About the Battle of Sardarabad
67 COMMENTS


EMANUEL TERZIAN on OCT 7, 2014 10:20 AM
I thought Ani had written this article with the most precious touch of grace … what a talent. I had a classmate by that same name and spelling, in Addis, and I wonder if the two Anis are related in any way. Rather than praising this masterpiece at no end, I want to express the warmest gratitude to Ani, for reviving such an epic episode in our community’s history, that seemed to be doomed to oblivion … thank you my dear, shad abris!
REPLY

CRISTINATATEOSIAN on OCT 7, 2014 1:26 PM
Leí con mucho detenimiento esta historia, increíblemente hermosa y fantástica, que nos hace creer en la bondad del ser humano y en tener fe, porque a pesar de todos los males siempre hay una esperanza en la vida.
REPLY

ALAN ALEMIAN on OCT 22, 2014 2:53 PM
Hello Emanuel, from the note you wrote to Ani, I am of the impression that you live in Ethiopia, making me wonder if you are by any chance a descendent of Sarkis Terzian? I had the great honor of meeting him one Saturday morning in 1986 when, as an American member of a relief and development assistance organization visiting Ethiopia, as I stepped out of Harambe Hotel, glanced across the street, and saw two men in focused conversation whom I immediately believed to be Armenian. So, I walked in their direction until I was close enough to hear them speaking our tongue. They were Sarkis Terzian, the elder of the Armenian community in Ethiopia, and Vartkes Bilemdjian. In our conversation, they pointed to the Armenian quarter on the left just down the street , where stood the paired houses that, as they said, were constructed for the orphans when they were to leave the palace and have houses of their own. Later, I met Hermine Nalbandian at Nalbandian Pharmacy, and her through her at the Church on Piazza, I met her brother Vartkes. My last visit to Ethiopia was in 2002. I share your appreciation to Ani, how nice it is for her to put this history together for the world to read. Alan
REPLY

EMANUEL TERZIAN on OCT 22, 2014 3:11 PM
Well hello Alan, and how nice of you to have sought for what could have been your own roots, being dispersed from the great tragedies into the four corners of the world map. We actually had 3 unrelated Terzian families in Addis, originally from totally different parts of modern Turkey, and the elder you met was probably Avedis Terzian, who regretfully passed away soon after your last visit. As for me, I currently live in Sweden since 2007, although I was in Addis between 2002 and 2006, after 30 years that I hadn’t set foot in my native country, due to the revolution that made most of us seek a different “home”. Too bad we didn’t meet then, but I am delighted to meet you here in cyberspace!
REPLY

SARKIS KHUZKIAN on MAR 1, 2015 3:08 PM
Very interesting article which brings me to my question. i am seeking info from anyone who has been living in ethiopia or has a deep history of the armenian ethiopian community in the late 60s and 70s . i am looking for my fathers Godfather, his name was AVEDIS ADJEMIAN and the only address we have of him is BP 502 – ADIS ABABA who had migrated from marseille france to adis ababa sometime in the late 1960s. i was told he was sort of a hermit type and lived in the moutains of adis ababa. was a professor of some sort, and very intellectual. i have tried contacting the ethiopian embassy but they have never responded. I will go to ethiopia 1 day to find out what had happened to him. Obviously he would be deceased now as he would be over 115 years old. If anyone could shed light on his journeys or knows a way to get more info please feel free to contact me. thank you very much for your time in this matter. Sarkis
REPLY

HAMPARTSUM GHAZAROSSIAN on MAY 15, 2015 8:26 AM
There was a certain Arsen Adjemian who came to Ethiopia, via Marseille, in the 1950s. He was initially Director of the Kevorkoff Armenian School in Addis Ababa. He later stayed on as a teacher at the same institution for many years. He retired and stayed on in Addis Ababa till he died. He was an ardent Armenian – he instilled that sense of being Armenian in his young students through his lessons of Armenian history and literature. He was a batchelor and kept to himself. He read extensively. He was a poet. His poems were published in three volumes in the 1960s. Some of the information and dates you are giving about “Avedis” Adjemian seem to be similar or close to those of Arsen Adjemian. Do you have the correct first name?

YOHANNES on FEB 25, 2015 7:14 PM
Great historic article Ani. Many many thanks to you from the young generation Ethiopian. Thanks for connecting us in history and my hat’s off to the great Armenian people who gave much to Ethiopian in many ways. Hope to read more and pass the historic reality to generation next.
REPLY

JONAH on JUN 27, 2016 9:11 AM
I am in agreement. It was well written and thoughtful and considerate to all people mentioned.
REPLY

KRISTINA on OCT 7, 2014 3:53 PM
I’ve always looked at the Amharic alphabet and noticed that many of the letters look nearly identical to the Armenian alphabet. That made me assume that the connection between Armenians and Ethiopians dated much further back than the 20th century. Do you have any information about the linguistic and alphabet similarities between the 2 languages?
REPLY

YERVANT KOTCHOUNIAN on OCT 16, 2014 10:42 PM
Lebanese-Armenian philologist Armenak Yeghiayan has written a volume regarding the Ethiopian origins of the Armenian alphabet, Mesropian tareru akunqnere (The Sources of the Mesropian Letters), Antelias (Lebanon), 2005.
REPLY

ASBED POGARIAN on OCT 17, 2014 11:00 AM
Thanks for this valuable information, Yervant. I didn’t know.
REPLY

A. MOURADIAN on OCT 8, 2014 12:23 AM
There are many historical mistakes in this article, wrong dates, wrong names. for example The Yared Music School was a gift to the Ethiopian people by the Goverment of Bugaria. The first music proff. were Nersess Nalbandian, Azad Topalian, Ashken Mouradian. The Ethiopian Armenian History is very old, rich and long. before the Arba orphans. Armenians were already in Ethiopia during the crusaders, so it takes a real hitorian to do the homwork for many years with research and interviews with Ethio Armenians who live now outside of Ethiopia, plus check archives if there are any!!!
REPLY

A. PIRJANIAN on OCT 8, 2014 10:01 AM
As a layperson and not a “real historian”, I can’t speak to the historical inaccuracies that you mention re the gifting of the school and its first professors. I can however note the importance of recognizing the limitations, both spatial and rhetorical, of this particular forum. The audience is not a cabal of historians niggling over the authenticity of individual facts. That’s not to say accuracy isn’t important or indeed desired, but at this stage a perfect account is far from the main objective. It’s clear that the author was diligent in her research and interviews and, moreover, successful in the primary task of piquing a general interest and lifting the topic out of the mire of the esoteric, where it seems you would have it consigned. The condescension you employ (see again: “real historian”) is unnecessarily combative and unscholarly and undermines any productive criticism you may have had.
A further technical point, if you take a second gander at the introduction, you’ll see the author pretty clearly limits her scope to the period in question and makes no claims that Armenian-Ethiopian relations are a recent phenomenon. Quite the contrary, she expressly limits her topic to “the Armenian presence in the city during the modernization period of Ethiopia.”
REPLY

GARBIS KORAJIAN on OCT 8, 2014 9:30 AM
Although some important facts and personalities are not covered in this article, overall, Ani has done a good job bringing to life the history of the Armenian Community in Ethiopia. . Present and past members of the Ethiopian-Armenian Community would welcome works such as Ani’s and encourage others to write more on this small but somewhat historical Armenian Diaspora. One additional remark, during the 1930’s the Armenian Community was around 350 in number. At any given time, the number of Armenians in Ethiopia dis not exceed 1200.
REPLY

LEVON on OCT 8, 2014 10:07 AM
This is a great article, thoroughly researched and truly just a refreshing read!
REPLY

RICHARD ASADOORIAN on OCT 8, 2014 11:17 PM
I am so proud of my heritage. I wish that I knew of my father’s side(he passed when I was 3 while living in Fresno, CA) as his parents both died in Armenia at early ages.
God bless Ethiopia for its humanitarianism.
REPLY

ABRAHAM KEORHAGIAN on OCT 9, 2014 11:38 AM
Amazing job dear Ani , you make us proud of being Armenians from Ethiopia with positive contributions and legacy. I have no doubt that you are just only bringing out some of your tools and talent out of your “toolbox” and your research , contribution and work eventually will yield in furthering the scope of our knowledge and view about the details of the community. If Ani is provided with many documents, pictures, books , letters, notes and articles about this subject by all of us from Ethiopia, the possibility of reading her beautifully composed articles would be limitless. There were so many details that I did not know prior to reading her article . Thanks you much.
love ,
Abraham Keorhagian
REPLY

ASBED POGARIAN on OCT 10, 2014 5:10 PM
Good job, Ani! You have written a great article. There may be some inaccuracies, however that in no way diminishes the importance and value of your work, as well as our gratitude to you. I am glad to see so many of your generation, both Yetovbahyes and others, interested in the history of our community. As we eagerly await Aramazt Kalayjian’s documentary “Tezeta,” we are delighted to read your wonderful article. Thank you!
The relationship between Ethiopians and Armenians goes way back. The first mention of this relationship is found in Movses Khorenatsi’s “The History of the Armenian People,” written in the 5th century AD. This is what Khorenatsi writes: “It is said about the Illiad Wars [Trojan War, believed to have taken place around the 11th century BC] that during the time of the Assyrian King Devdamos, our [prince] Zarmayr, who was a subject of the Assyrians, helped Briamos [Trojan warrior] with his small Ethiopian contingent, and was killed by the Hellenic fighters [the famous Achilles] …”
With the advent of Christianity, this relationship strengthened and the similarity of our alphabets can be a result of that, since there was a lot of contact between Ethiopian and Armenian clergymen, both in Jerusalem and Egypt. In most likelihood, Mesrob Mashtots used the Ethiopian alphabet to give shape to some of ours since the Ethiopian alphabet was in existence before he was born.
I had written a research paper in 1985 about the relationship of the Armenians and Ethiopians throughout history. If you are interested to read it, please contact me and I will send it to you.
Asbed Pogarian
Lorani@aol.com
REPLY

TAMARAAT on OCT 14, 2014 12:18 PM
Great article..
REPLY

SELAM on OCT 17, 2014 2:13 PM
To all armenians , Selamta yederesachew meaning peace upon to you all! Thanks for the author to have given the deserved recognition of our regrettable KIng H.I.M. He was the best leader not only for Ethiopia, for Africa but for the humanity as a whole. He was going to lead a great movement of Pan Africanism when he was sent inside enemies that were trained in USA , which later became the infamous president Mengistu Hailemariam who lead our country brutally under Communism and killed nearly 3 millions of Ethiopians. Since it has gone worse as we got a new pro albanian guy again supported by UK and Arab countries (used a yemeni passport ) which has led Ethiopia in the terrible situation of todays’: during King no ethiopians were immigrant today look around you , they are dying taking ocean to reach Libya , Yemen where they get killed for being christians and abused! Since the loss of the great King, the man who served his country and modernized it, we are today at the mercy of a mafia party called TPLF who is violating all aspect of HR and the 6% that support them as they are from one ethnic group are chanting growth. It is a disaster what Ethiopia is going through . I am so grateful to this author who is revealing the King’s true nature, a man of God , for which Ethiopians are not taught today!! Your article is a tool to educate even our youth and we shall distribute it around so they can pride in such a King. Today, armenians have left in majority but as we are Orthodox our bond is strong and I hope one day, once this regime is gone (Ethiopians are getting organized for it watch ecadforum.com for news in English on Ethiopia ) we hope we will be able to restaure that strong relation with Armenians and continue the King legacy. Blessings from an Ethiopian and The King H.I.M rest in peace.
REPLY

EMANUEL TERZIAN on OCT 17, 2014 3:26 PM
Selamta dersonyal yene wondim, I feel your pain and frustration, because I was born and I grew up in what was the best country in the world for two millenniums … until our Emperor was deposed. Steal kill and destroy is the devil’s work, and his medicine is only the Lord Jesus, who is slow to anger and abounding in love, so keep your eyes on Him and Him alone brother, and as surely as you live you will see “that at the name of Jesus every knee should bow, of those in heaven, and of those on earth, and of those under the earth, and that every tongue should confess that Jesus Christ is Lord, to the glory of God the Father”. When everything is said and done He will be victorious, as always, especially since He defeated death by taking your punishment and mine on that cross, and so rejoice in the Lord always, I’ll say it again REJOICE (ijig tedeset) because the joy of the Lord is our strength, and here is something to bring you joy and unspeakable love http://youtu.be/pxtncNsjHG8
REPLY

SELAM on OCT 18, 2014 2:59 AM
God bless you Emanuel Terzian! My soul glorifies the Lord
and my spirit rejoices in God my Savior,
for he has been mindful
of the humble state of his servant.
From now on all generations will call me blessed,
for the Mighty One has done great things for me— We are children of God, who give thanks to Saint-Mary for she not only gave us His only begotten son but she saved him from the swords running in the desert as God chose her to be the Mother of Humanity, and Her only begotten son, The Saviour of the world. Peace upon the children of God and we shall not cease praying and fasting for Ethiopia.
REPLY

HABTAMU on OCT 18, 2014 3:56 AM
Fascinating article! As an Ethiopian, I am very pleased to read a short account of the history of the Armenian community in Ethiopia as well as their contributions to the rich history and culture of our country. After reading this article, I am now pretty much motivated to know more about the longstanding Armenia-Ethiopia relations. Thank you!
REPLY

ITYOPYAWI on OCT 20, 2014 6:42 PM
God bless Armenia, Holy and Orthodox, forever and ever, amen.
REPLY

RICH on OCT 21, 2014 2:45 AM
Example of God’s power over evil (Turks). Praise the lord and strength to Ani, Armenians, and Etheopia. As to the armchair negative critique of this superb article,… Seriously?
REPLY

MIMI on OCT 23, 2014 8:31 AM
Great read… I am Ethiopian and We have Ethiopian- Armanian Familiy friends according to my friend the Ethiopian Armanian community holds a yearly reunion around Glendale
REPLY

MIMI ZEWDIE- KEBEDE on OCT 23, 2014 8:33 AM
It would be nice if they share their history and experience in a more rounded way than just music
REPLY

ARMENIAN on OCT 27, 2014 5:58 PM
great article and the feedback on this post is nice to see. i was recently in DC and was also treated very kindly by Ethiopians, what generous people.
REPLY

MESFIN on NOV 4, 2014 9:49 AM
I love the expressive presentation about Armenians so I am free from the hearsay.
REPLY

NORIC DILANCHIAN on NOV 5, 2014 4:24 AM
Thank you Ani for your research for your article. It is a credit to it that it has inspired so many comments!
In the third illustration for the article Antranik Markarian is listed as a band member. I interviewed Mr Markarian in Sydney in 1993. He was a member of the Bodyguard Band until 1926. Subsequently, for the Ararat literary journal published in New York, I wrote a five page article on the Armenian-Ethiopian connection, with a focus on music. I’m happy to forward it as a PDF to anyone interested. It contains two unique and great photos of the Band from Mr Markarian personal album.
Finally I note the documentary film project in development by Aramazt Kalayjian which while profiling the Armenian-Ethiopian community focuses on the contributions made by Armenians to Ethiopian music in the twentieth century – https://www.facebook.com/Armeniansofethiopia
– noricd @ dilanchian DOT com DOT au
REPLY

LEON TOMASYAN on DEC 3, 2014 8:49 AM
Thank you Ani for your article.
I was born in Ethiopia and my grandfather Harootuin Tovmassian was one of the 40 orphans.
Sadly he passed away before I could document his first hand story of his transit from Van to Jerusalem and then to Addis Ababa.
I have been trying without success to find a first hand account of the journey that any of the 40 orphans endured.
Do you know of any such account.
Thank you for any assistance.
REPLY

LEON TOMASYAN on DEC 3, 2014 8:57 AM
Oops, I meant to say that Hartoouin Tovmassian was my father.
I notice you graduated from UCI, I am also in Irvine.
REPLY

VICTOR ZAROUGIAN on JAN 20, 2015 8:03 AM
I remember going to Addis Ababa in 1973 to see my aunt Sirvart Bablanian who was very active in the Armenian community. She was also an arts teacher in the Emperor’s palace. We visited Nazaret, Dire Dawa, and Harrar. Her husband, who had already passed away, was an officer who had come to Ethiopia to train the Imperial army. Aunt Sirvart had married him and moved from Cairo, Egypt to Ethiopia.
REPLY

LEON TOMASYAN on JAN 20, 2015 8:21 AM
I was born in Addis. In my youth I also traveled to Diri Dawa and Harar.
I am trying to find first hand accounts of the orphans march from the Lake Van area. Does anyone know of such accounts?
REPLY

SAMVEL on JAN 20, 2015 11:22 AM
Sirvard Bablanyan was my godmother and her husband Hmayak BAblanyan my godfather. I have many photos of armenian school of Addis Ababa. https://www.facebook.com/photo.php?fbid=600375253312884&set=a.327889010561511.99717.100000212442726&type=3&theater https://www.facebook.com/photo.php?fbid=290164767667269&set=a.290163854334027.90601.100000212442726&type=3&theater
https://www.facebook.com/photo.php?fbid=1016975881652817&set=a.290163854334027.90601.100000212442726&type=3&theater
REPLY

VICTOR ZAROUGIAN on JAN 21, 2015 10:59 AM
Thank you for sharing the photo of Aunt Sirvart. I never had the opportunity to meet Uncle Hmayak. I would love to see more photos of the school and church in Addis Ababa.
REPLY
Pingback: Royal fanfare: Ethiopia’s 40 Armenian orphan musicians - Learn Amharic UK


HAMISH CAMPBELL on MAR 9, 2015 12:52 AM
Congratulations on a great article Ani, it is wonderful to have some more information on a piece of history that has always fascinated me as a historian who has studied the Near East Christian Holocaust and as a fan of Ethiopian music from the 1960s.
I am particularly interested in one interesting period that is not mentioned here – the Italian Invasion and occupation of the 1930s. What happened to the Arba Lijoch during that time?
Also one of the defenders against the Italians was a Turkish General called Vehib (Wehib) Pasha, who had opposed the Genocide and was part of the 1919 Military Commission to punish those responsible. Was there any contact between Vehib and the Armenian citizens of Ethiopia at the time?
Finally, Noric Dilanchian – I would be very interested to read your article and see and pictures from Mr Markarian.
Once again, thank you for a fascinating article.
REPLY

HAGOP NALBANDIAN on APR 2, 2015 11:56 PM
This is a beautifully written article. Thank you very much for capturing the essence of my community of birth with such fidelity and accuracy. Truly commendable. It’s been a while since I have read such a long piece in one breath.
REPLY
Pingback: Remembering the Armenian Genocide - EthioExplorer.com

Pingback: Quatero News and Views » Remembering the Armenian Genocide[Alemayehu G Mariam]

Pingback: Remembering the Armenian Genocide | Addis Star

Pingback: Remembering the Armenian Genocide (Alemayehu G. Mariam) ‹ EthioFreedom

Pingback: Kohar Kevorkian | The Melody of Yerevan

Pingback: Covenant Ethiopia and Israel to Seek Teshuvah for Great Transgression against The King of Israel Part 1 | Rastafari Talmud


VARTENY on OCT 3, 2015 9:12 AM
Thank you so much, This article means a lot to my family, as Luther Aghnoghian was my great grandfather.
REPLY

RACHEL WILSON on DEC 31, 2015 8:24 AM
Good read Ani. The Armenian culture is very rich. It’s wells of history run deep. Teaching myself a little conversational Armenian. My dance studio family being in a prominent community I affectionately call Armenia USA. Truth is I feel a strong connection – kinship. Being a Jewish convert I also see striking similarities between ancient Israeli and Armenian history and culture. Hope to someday go to Armenia to explore my theory further.
REPLY

KHERBEKIAN HAIGO on FEB 11, 2016 8:29 AM
Merci beaucoup .C’est un plaisir de lire cet article au sujet de mon grand père.Bravo
REPLY
Pingback: Remembering the Armenian Genocide |  SHOAH


SEVAN on MAR 14, 2016 12:49 PM
Random question: Does anybody know of any mixed marriages between an Armenian person and an Ethiopian person? The two cultures seem so similar that there wouldn’t seem to be the same stigma attached to other mixed marriages….
REPLY

EMANUEL TERZIAN on MAR 14, 2016 3:05 PM
There were quite a few marriages like that Sevan jan, and 99% were almost book perfect successful. Ethiopians, in my opinion, have such a warmth that it clearly exceeds that found in Armenians, so much so that I for one don’t even see myself happily married unless I marry an Ethiopian … sooner or later! I know that’s a strong statement, but it’s as sincerely as I can put it. You’d have to be born as a guy, get close to know 20 Ethiopian girls fairly well, to know I’m not the first nor the last one to think so 🙂
REPLY

SEVAN on MAR 14, 2016 3:11 PM
Thank you for your sincerity, Emanuel. That is good to hear. Just out of curiosity: Were all of these couples living in Ethiopia, or were any of them living in diaspora? As you know, both communities have vast diaspora populations.
REPLY

EMANUEL TERZIAN on MAR 14, 2016 3:31 PM
Sad to say Sevan jan that after the 1974 revolution most white indigenous left fled the turmoil and never came back. It’s worth mentioning that Italians had even more mixed marriages than us, and they too fled the country never to come back, and to this day they call it “il mal s’Africa” to indicate that once you’re touched by their affection, it’s almost like a disease that never leaves you! In answer to your question, you’ll find most of them in the diaspora, spread all over the world, but you’ll still find a dozen or so Armenians who are still in the Country as Ethiopians! I met one of them here in Stockholm, as white as snow, with as typical an Armenian first/last name as we come … who doesn’t speak one word of Armenian, Ethiopians here view him as an Ethiopian, because he thinks 100% like an Ethiopian … he’s an extreme, granted, but there you have it.
REPLY

SEVAN on MAR 14, 2016 3:47 PM
Thank you, Emanuel! Very interesting.

AMANDA LAM on MAR 28, 2016 5:00 AM
Or the future hasn’t happened yet http://makeupartistbusinesscard.com/Card:240059358147320775 so the spiral is actually being
REPLY
Pingback: Notes from Ethiopia: the jazz revival in Addis Ababa - The Guardian - My Jazz

Pingback: Notes from Ethiopia: the jazz revival in Addis Ababa – The Guardian – March 4 Freedom

Pingback: Notes from Ethiopia: the jazz revival in Addis Ababa | AdisZena.com

Pingback: Notes from Ethiopia: the jazz revival in Addis Ababa - ትኩረት/ Focus

Pingback: Notes from Ethiopia: the jazz revival in Addis Ababa - EthioExplorer.com

Pingback: Notes from Ethiopia: the jazz revival in Addis Ababa - The Guardian - Ethiopiaforums.com


EDUARDO KARSACLIAN on APR 4, 2016 6:33 PM
Miss Aslanian, have you ever think to give a resume of Arba Lijoch story to Steven Zaillian? I remember read that he was looking for an “armenian Schindler”. Please, think about it.
REPLY
Pingback: How Armenian Genocide Orphans Influenced A Revolution In Ethiopian Music – Okayafrica – March 4 Freedom

Pingback: How Armenian Genocide Orphans Sparked A Revolution In Ethiopian Music – Okayafrica – March 4 Freedom

Pingback: DigiBlogs: Notes from Ethiopia: the jazz revival in Addis Ababa - DigiBlogs News


FEKADU B on MAY 27, 2016 11:57 AM
It was an amazing and well researched piece, Dear Ani!
I was born, educated and lived in Addis Ababa
My mom used to tell me of Armenians as honest, intelligent and business minded. I believe their contribution was of paramount importance to the my society as a whole.
Thanks to the emperor who happen to forge the two nations’ historical relationship.
REPLY
Pingback: Notes from Ethiopia: the jazz revival in Addis Ababa | World Liberty Travel Advisor

http://thearmenite.com/2014/10/company-emperors-story-ethiopian-armenians/#prettyPhoto/1/

Hiç yorum yok:

Yorum Gönder