Authors of the “I Left My Shoes in Istanbul” and “Nana”
films Nigol Bezjian and Valerie Massadian , who have arrived in Armenia to
participate in the 9th Golden Apricot Film festival, met with reporters today
to tell about the films and share their impressions from the Motherland.
Nigol Bezjian was born and grew up in Beirut, Lebanon,
before moving to the USA where he attended New York School of Visual Arts (BFA
in Cinema) and then UCLA. Nigol Bezjian lived and worked in many countries. He
has shot a number of films and won awards from prestigious international FFs.
The film “I Left My Shoes in Istanbul” closely follows
Sako Arian, A Lebanese Armenian modernist poet who embarks onto a journey that
has been delayed for a century; the return to his ancestral city of Istanbul,
where his cultural and literally roots are found.
Sako tours the old streets of Istanbul once populated by
Armenians, the ancient cemeteries and the poets buried in them, the old
churches and more than a century old high school.
He meets the young and the old, the famed and the humble,
Armenians and Turks, listens to their stories, their opinions, he laughs and
shares food with them.
”With this film I wanted to show a different Istanbul to
Turks, a city they are not familiar with, it is the Armenian Bolis,” director
of the film Nigol Bezjian said.
”We created a state, but created it with bloody hands,”
one of the heroes of the film confesses. The film openly speaks about the
Armenian Genocide, although it is a joint Lebanese-Armenian-Turkish production.
The director of the film says the Turkish side created no obstacles for
shooting the film. However, he is not certain about the reaction that will
follow the screening of the film in Turkey.
The film was first screened within the framework of the
Golden Apricot Film Festival. “I Left My Shoes in Istanbul” and Valerie
Massadian’s “Nana” are presented in the “Armenian Panorama” program.
This was Valerie Massadian’s first visit to the
Motherland. She said feelings do not allow her to speak about the impressions.
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