FOR IMMEDIATE RELEASE
September 5-14, 2013
For Immediate Release
Contact: Tamar Gasparian
tamar@...
www.asainc.org
Juxtaposition: Contemporary Armenian Artists is the 63rd
annual exhibition organized by the New York branch of the Armenian Students’
Association (New York ASA). Best known for its famed Artists’ Ball, this year
the organization is taking the art exhibit to a new level by giving Armenian
artists a unique opportunity to show their works at Denise Bibro Fine Art
(DBFA), one of Chelsea’s most established galleries. While in years past the
exhibit lasted for only a weekend, this year’s exhibition will be extended to
almost two weeks, running from September 5th to 14th. It is curated by DBFA and
Tamar Gasparian and features the works of 13 contemporary artists of Armenian
descent as follows: Eozen Agopian; Gagik Aroutiunian; Arne Balassanian; Nora
Chavooshian; Linda Ganjian; Christopher Gasparian; David Kareyan; Susan Kirby;
Sassoon Kosian; Alex Lerian; Yevgine Martirosyan; Arthur Sarkissian; and Judith
Simonian.
Juxtaposition helps one to understand that the shared
Armenian roots of its creating artists are not the only things these artworks
have in common.
On the one hand, juxtaposition of works done in various
techniques and mediums emphasizes the differences between the works and
highlights qualities and details that otherwise may have been missed. On the
other hand, the works of contemporary Armenian artists are juxtaposed to the
contemporary art at large, allowing collectors and critics to see and
appreciate the uniqueness of each work included in the exhibition. There is
also a contrast of generations, placing works of established artists like
Kareyan, Sarkissian and Simonian next to works by emerging artists like
Balassanian, Lerian and Gasparian.
Simonian’s ability to place two colorful scenes and
mixing abstraction with representation in one painting in an organic way that
doesn’t confuse the viewer is one of the unique aspects of her work. Lerian
slightly does the same with color and abstraction alone; letting islands of
colors bleed into each other yet stand out on the surface of the canvas.
Distortion of a completely different kind is also present in the works of
Balassanian and Gasparian. In his pixelated portraits of celebrities like Uma
Thurman, Balassanian makes distortion very pleasant to gaze at. In a contrast,
Gasparian’s Left Behind made of twisted wires and plaster is very sharp and not
easy to look at. Yet, both artists are very successful in portraying human emotion
and contemporary man’s quest to bear the unbearable.
Kareyan, the only artist in the group exhibiting
posthumously (as he passed away in 2011) was one of the key figures in
contemporary Armenian art. Two of the 23 paintings from the New Locality project
are presented at the exhibition. Kareyan once wrote, “the New Locality project
is intended to expose the identity of contemporary man in the era of cultural
globalization, technological revolution and biological distortion.” In some way, this is also true about the
works of other artists in this exhibition.
Generated via computer, the animation-like house in
Kareyan’s Long Blue contrasts Aroutiunian's meticulously constructed House of
Memories. Also, while Agopian’s threaded canvas called This Time is very
different from Ganjian’s Glimpses from a Queens Commute (an installation of
giclee prints based on marker/ink drawings, mounted on painted boxes), the
rhythm of lines and presence of intense labor in each piece bring all these
works together in a manner that one may notice only upon close observation.
Contemporary man’s search continues in the paintings of
Sarkissian, where layers of past appear in the form of historic buildings,
manuscripts and old photographs, as well as Kirby’s collages, where the ghost
like figures in black are rising on a background made of map pieces that look
as ancient as the wheel in front.
Done with a completely different technique, the love for
color and devotion to detail draw attention to the works of Kosian, Chavooshian
and Martirosyan. While one will be carried away by Martirosyan’s Blue World and
captivated by Kosian’s Mysterious Objects of Fascination, one may circle around
Chavooshian’s Safe studying the lines and flaws that make up the texture of
this stunning sculpture.
There is so much more to see and learn about each artwork
included in the show, hence we encourage you not to miss this unique
exhibition.
A portion of proceeds from all art sales during the
exhibition will benefit Friends of Warm Hearth, the only group home in Armenia
providing holistic care for orphans with disabilities. For more information,
please refer to the organization’s website: www.friendsofwarmhearth.org.
DBFA will mark the opening of Chelsea galleries’ fall
season with a reception on September 5th from 6-9 pm. In addition, on September
7th from 5-7 pm, a private reception and live painting event will take place at
the gallery hosted by the New York ASA and Friends of Warm Hearth. Proceeds
from all ticket sales for the private reception will also benefit Warm Hearth.
With each ticket purchase, patrons will receive a raffle ticket and enter the
chance to win one of many prizes generously provided by supporters such as
Almayass Restaurant, Alex and Ani, Lady Armenia Necklace, Zorah Wines, Hayko
Fine Rugs, Michael Aram, Harvest Song and Planet Cake Janette. DBFA is located
at 529 West 20th Street, 4W in the Chelsea area of Manhattan.
An after-party will be held at Almayass Restaurant
beginning at 9 pm. Almayass is located at 24 East 21stStreet in Manhattan.
The New York ASA is a not-for-profit, 501c3 organization
and all donations are 100% tax deductible. For more information and to purchase
tickets to the private reception, please visit www.asainc.org.
###
New York ASA [newyorkasa@asainc.org]

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