C.K. Garabed (a.k.a. Charles
Garabed Kasbarian) has been active in Diasporan Armenian community
organizations all his life. As a writer and editor, he has been a keen observer
of, and outspoken commentator on, political and social matters affecting
Armenians. For more than 40 years, his
writings have appeared in the Armenian press in the Diaspora. The year 2014
marks the 25th anniversary that Garabed has been a regular contributor to “The
Armenian Weekly.” There, he produces a weekly column called “Uncle Garabed’s
Notebook,” in which hepresents an assortment of tales, anecdotes, proverbs,
poems, riddles, and trivia. For the past 10 years, each column has contained a
deconstruction of an Armenian surname whose language origins may be Armenian,
Persian, Kurdish, Turkish, or Arabic.
Earlier this year, his
“Dikranagerd Vernacular Handbook” was published. A sort of dictionary, it
contains hundreds of words and expressions from the Armenian dialect of today’s
Diyarbakir.
In the following interview
with INFOWELAT, Garabed discusses his ancestral history in and culture of the
Diyarbakir region, the preservation of the Armenian identity in exile, and
prospects for developing Kurdish-Armenian relations.
INFOWELAT: You first came to
our attention with the online publication of your Dikranagerdtsi Vernacular
Handbook. Before we discuss the Handbook, we’d like to ask you about your
background. Your parents were originally from Diyarbakir, which you call
Dikranagerd. What can you tell us about your family history?
Kasbarian: My father’s
mother, Mariam, was an Alipounarian. The Alipounarian clan took its name from
the village of Alipounar, which lies west of the city of Diarbekr, within
walking distance. I understand the name of the village comes from Ali Pounar or
Ali’s Spring. Dikran (Spear) Mgunt, in his book Echoes of Amida (Amidayi
Artsakankner) published in America in 1950, states that in the 19th century,
the village was comprised of 40-50 families of three races, Armenians, Chaldeans,
and Turks, living in separate enclaves.
My father’s father, Der
Kasbar, was the village priest of Alipounar, his church’s name being Sourp
Asdvadzadzin, Holy Mother of God. My father told me that it was a big church
with rooms to accommodate pilgrims who stayed overnight. In his book, Mgunt
states that swallows had built a nest in the church, and would sing along
whenever the Divine Liturgy was performed.
Der Kasbar was killed, along
with his eldest son, Garabed, whose name I bear, in the Hamidian massacres of
1895. He left five other children, which included my father, Hagop, who later
migrated to America.
The other members of his
family, who remained behind, were caught up in the Armenian-Assyrian-Hellenic
Genocide of 1915. As was the custom of the genocidists, able-bodied male
giavours (infidels) were murdered, and this included the husbands of Hagop’s
two sisters, as well as Hagop’s brother, Hovhannes.
See photograph of postcard
below, with English translation, sent by Hovhannes Der Kasbarian to his older
brother, Hagop,in America.
“March 25/8 April 1915 D.Gerd
(Dikranagerd)
My dear brother Hagop,
We have not received any
direct news from you for close to three months. We cannot explain this because
your letters always arrived within a month. We can guess that they got lost on
the way. In that case we suggest that from now on you write to us in a very
concise, simple way so we can receive it securely and thus learn of your
situation and well-being. Nothing more than that.
Instead of a letter from you,
we heard from others that you have gotten married. But to whom? We do not know
anything clearly and for sure. Anyway, if it is true, we all congratulate your
wedding. My sisters also send their love and greeting to the new bride,
Arousiag, if that is her name as we had heard. As our mother’s character is
known to you, she is in a state
of anxiety when in similar
situations. She absolutely awaits to receive a letter directly from you with
your handwriting to hear that you are safe and sound. Try to write to us more
often and as much as you can on post cards to make it easy. Do not worry about
us. We are all well and alive.
Our mother, sisters,
brothers-in-law and I warmly embrace you and kiss your cheeks. Greetings also
from your nephews Kevork, Arshag, Zohrab, Antranig, Ardashes and Vahan.
Hovhannes.”
My mother, Lousia, was from
the city, and was exiled in 1915 along with her mother, Touma, and two infant
children. Lousia’s father and her husband were victims of the Genocide, and her
two children perished in the murderous march through the Syrian Desert.
Ironically, my mother succeeded in preserving the deeds to properties in
Dikranagerd that belonged to her husband and his family who were all liquidated
in the Genocide. She also made a point of preserving as much of the culture she
was forced to abandon, including the traditions, cuisine and dialect of
Dikranagerd.
INFOWELAT: What an amazing
coincidence! Our editor’s family roots also go back to “Elpinar,” as we say it.
In fact, his two uncles still reside there. Our editor visited the area last
week with photographers who took pictures of the village, and the church you
mention, which is shown elsewhere in this interview.
How have Armenians been able
to continue their identity and culture despite living in their Diaspora for the
past one hundred years? Considering the pressures of the “American way of life”
which is based on individual values rather than the collective ones, and the
level of integration of Armenian-Americans into English speaking mainstream
society, what do you think about the chances that Armenian-Americans can
continue their group identity?
Kasbarian: Any time a people
are separated from their indigenous lands, we will also regrettably see a
departure from the native culture. It is difficult to authentically replicate
that culture without environmental reinforcement, and it requires formidable
effort to resist the influences of a new dominant culture that might not always
be preferable or superior to the old one.
My parents succeeded in passing
on to their children the language and customs of the Armenians at the cost of a
great sacrifice of their ability to succeed materially in the New World. By
making Armenian the language of the home, they saddled themselves with broken
English for the remainder of their lives, and we were the beneficiaries of that
sacrifice. The same can be said of my wife’s family.
To get an idea of our
children’s involvement in Armenian matters, visit the web sites with which they
are affiliated:
http://www.tufenkianfoundation.org/
and http://www.lucinekasbarian.com
To a degree, I fault our
clergy for not discharging their responsibilities as leaders of the Armenian
community, which has led to the precarious condition of our culture in exile.
Whenever officiating at weddings of our young couples, had they given them
advice, when blessed with children, to make Armenian the language of the home,
and have their advice taken, we would be in much better shape today as
Armenians.
For those of your readers who
are interested in a comprehensive treatment of the subject, there is a lecture
I delivered some years ago about the future of Armenian culture in America, the
transcript of which is available here:
http://www.armeniapedia.org/wiki/Armenian_Culture_in_America:_Dead_or_Alive%3F
Although it has a pessimistic
tone to it, I am including it here in the hope that the “hidden Armenians”
among you will come forward to declare their Armenian identity, and perhaps
form a nucleus around which Armenians in the Diaspora can rally.
INFOWELAT: Regarding your
Dialect Handbook, when and how did you begin to compile words, expressions,
phrases and other useful information? What are the difficulties of preparing a
dictionary in your Diaspora?
Kasbarian: Sometime about
1970, I began recording whatever I knew from speaking to my parents and members
of the Armenian community at large. After all, the Dikranagerdtsi dialect is my
native language. I made entries in a notebook in my spare time. It started out
mainly for self-amusement. As the years went by, I realized that a written
record of our dialect was an important undertaking, and therefore took my task
more seriously. With the advent of personal computers, I transcribed whatever I
had recorded, until it grew to a size that was feasible to pass on to the
public. “Dikranagerdi Parparuh,” a textbook on the Dikranagerdtsi dialect, had
been published in Armenia back in 1978 and which I’m sure was useful to many
persons who were interested in becoming knowledgeable of the dialect. However,
I found it lacking in that it’s vocabulary did not include many Turkish,
Kurdish, and Arabic words. Without those borrowings it was not a realistic
portrayal of the way our forebears spoke on a daily basis.
Producing this Handbook was
not a difficult undertaking for me personally because I merely recorded what I
knew. Whenever I was not sure of the meaning of a term, or even its
pronunciation, I would seek help from my friends and relatives. As far as the
difficulty of publishing a book that is so specialized, and of limited interest
among non-Armenians, I avoided that difficulty by choosing to publish only
online in order to make it accessible beyond our borders, and at no charge.
INFOWELAT: Is the dialect
still spoken by Armenian-Americans who are originally from the Dikranagerd
region, that is now called Amed (Diyarbakir) by Kurds?
Kasbarian: Yes, there are
some Armenian-Americans of my generation that converse in the dialect whenever
they get together, which is less frequent as time passes. Not many of the younger
generation make use of it, although they may fully understand. It has become a
vehicle for humorous banter more than anything else.
You’ll notice that I spell
Diyarbakir as Diarbekr. There’s a reason for that. My understanding is that the
ancient name of the city, Amid, is of Assyrian origin, and that when the Romans
colonized the city they called it Amida. Following the Romans, the Persians
came to power and were succeeded by the Muslim Arabs. It was the leader of the
Arab Bekr tribe, who renamed the city Diar Bekr, meaning – the country of Bekr.
Much later Mustafa Kemal gave the city its current name Diyarbakir, which was
derived from the copper ore that exists there. Diarbekr is the spelling that
appears on many old maps, and is used by writers on the subject, such as
Gertrude Bell, as well as H.F.B. Lynch*, who surveyed all of Armenia, east and
west, and drew a map that showed all the cities, towns and villages with their
old names, before they were changed. You can see the villages surrounding Dikranagerd
where my relatives lived, such as Alipounar, Hazro, and Haini.
INFOWELAT: What are the exact
borders of the historical Dikranagerd region? Considering the vast geography
where Armenians lived, what are the other dialects Armenians have spoken? Did
any dialect become extinct after the Armenian scattered around the world?
Kasbarian: I don’t know if I
can answer the first part of your question; however, your readers can inform
themselves of the history of Dikranagerd, and Diarbekr, whose ancient name is Amida,
as we say it, by viewing a video that contains a slide lecture by Dr. Herand
Markarian. It can be accessed at the following URL, documenting a cultural
evening celebrating the Dikranagerd Armenian heritage: (Advance to the 31
minute mark of the video)
http://www.youtube.com/watch?v=5-JZzfXzSIE&feature=youtu.be
As far as dialects go, every
city with its surrounding villages had its individual way of speaking. Kharpert
(Elazig), Sepastia (Sivas), Moush, Palou, Yerzinga (Erzincan), Erzerum, etc.
all differed to some degree. Some did not depart radically from the standard
Armenian language; some did. Dikranagerdtsi is difficult for other Armenians to
understand because of the heavy borrowings from neighboring languages.
Dikranagerdtsis have two ways of pronouncing the letter (a). There is the
standard pronunciation as in the English word bar. Then there is the flat (a)
that is borrowed from Arabic, Persian and Kurdish, such as in the English word
hat.
I’m not able to say which
dialects have become extinct, if any. I’m sure some are on the border of
extinction.
INFOWELAT: Was there a
standard Armenian language spoken in the region you call Western Armenia and
used by Armenian political, educational and other organizations?
Kasbarian: Definitely. Those
Armenians who are partial to the Eastern version of the Armenian language
sometimes refer to Western Armenian as a dialect of the original language. This
would be like saying that French, Italian and Spanish are dialects of Latin.
However, they are viable and distinct languages, and so is Western Armenian. A
vast body of literature has been composed in Western Armenian, which is the
version used by most Armenians outside of the Republic of Armenia and Iran. The
texts of many folk songs from the villages of Western Armenia include many
terms intrinsic to Western Armenian and reflect the influence of Turkish and
Kurdish.
INFOWELAT: Do you have any
information regarding the language influences of Armenian on Kurdish and
Kurdish on Armenian? Can you give some examples?
Kasbarian: I don’t know about
the influence of Armenian on Kurdish, but I can give you an idea of the
influence of Kurdish on the Dikranagerdtsi Armenian dialect. There are scores
of words from Kurdish that we still use, For example:
Adǎt: custom
Akhur: end, outcome
Alav: flame
Azab: bachelor
Bǎg: feudal lord, ace in
card-playing
Betǎr: worse
Chamour: mud
Dǎrǎjǎ: staircase
Dǎvǎ: camel
Furchǎ: brush
Hǎrs: anger
Jǎgh: fence
Kǎchǎl: bald
Mala mineh: All my home and
family have disappeared. (Used to describe a child’s idea of disaster.)
Peshgir: towel
Shor: salty
Shorba: soup
Tǎshkǎlǎ: tumult
Toutkal: glue
Zad: meal, stew
The well known and beloved
Armenian folk song Dle Yaman is a case where Armenian has been influenced by
Kurdish. Dil means heart in Kurdish, and dle means my heart. Yaman, in my
opinion, is a mispronunciation of aman, which means grief or sorrow. Thus, dle
aman can mean my grieving heart, or my sorrowful heart, which matches the
lamenting nature of the song.
INFOWELAT: The Turkish rulers
created barriers between Armenians and Kurds who were native inhabitants of the
same country and they succeeded with this project by using Kurdish people in
the Armenian Genocide. We know the rest of the story of Armenian-Kurdish
relations, which has continued to be marked by a lack of contact. As an
Armenian intellectual, what do you suggest to start mutual relations in this
regard and what kind of responsibilities could both players have? The remains
of Sourp Asdvadzadzin Church in Alipounar photographed under the guidance of
our editor could perhaps be a starting point. Do you think Diasporan Armenians
would like to see it restored? If so, would they be willing to contribute to
the funding of the cost of renovation?
Kasbarian: First of all, when
you refer to me as an intellectual, I must inform you that I do not approve the
use of that word as a noun. It is pretentious sounding. As an adjective it is
perfectly fine. One can have intellectual pursuits or curiosity. Now, to try to
answer your question, I am not a member of any political party, nor do I occupy
a position of authority within Armenian community organizations. I merely offer
my views as a writer on matters that affect the Armenian community at large.
The best I can do is to appeal to my fellow Armenians to make their views known
to our leaders, and hope that these leaders possess the wisdom to pursue a
policy that has popular support. But first, our rank and file Armenians must be
alert as to what our future is likely to be without a recovered homeland.
From informal polls, today,
we know that now, more than in decades past, Armenians are traveling to Eastern
Turkey to visit their ancestral lands. The successful undertaking by the global
Armenian community to renovate Sourp Giragos Church in Dikranagerd is a good
indication of the strong ties that many Armenians still feel for their
homeland. We also know that many Armenians claim they would develop ties with
their ancestral lands if they felt they could safely do so. This could include
but not be limited to Armenian refugees from the war in Syria, whose ancestral
homeland is in modern Turkey. But other Armenians claim they would not return,
even to visit, because they do not wish to feed a Turkish economy that has
already inherited and benefited from the theft of Armenian wealth and property.
Perhaps generating and publicizing a census regarding individual intentions of
Armenians with regard to their ancestral lands will clarify the issue. Such a
census should include a reference to Sourp Asdvadzadzin Church in Alipounar to
determine if the Armenians living abroad would be interested in helping to
restore the church.
As far as historical
Kurdish-Armenian relations are concerned, we Armenians, from our perspective,
are aware of the injustices we have suffered at the hands of the Kurdish Begs,
as exemplified in the well-known novel, Khentuh (The Fool), written by Raffi
(Hagop Melik Hagopian) in 1881. It is available in Armenian and English
translation, but has yet to be translated into Kurdish and Turkish. One English
translation of The Fool by Jane Wingate in 1950 is now in the public domain and
freely available online here: http://www.cilicia.com/armoz.html
And now, if I may, I invite
your Kurdish colleagues to ask themselves the following questions on Kurdish-Armenian
relations.
Have any of your Kurdish
colleagues touched on this subject? What is the thinking among rank and file
Kurds, especially in the Dikranagerd region? It’s all well and good for
Abdullah Demirbaş, mayor of Sur in the province of Diyarbakir, to invite
Armenians back. But does that reflect the thinking of those Kurds who are
currently occupying property of the ancestors of those very same Armenians?
Would your Kurdish colleagues like to see the forming of dialogues and
alliances with Armenians of the Diaspora? If so, to what extent?
Note: Lynch’s two volume work
“Armenia: Travels and Studies” was published in London in 1901, and remains the
definitive account in English of Armenia before the 1915 massacres. An Armenian
translation of the book was published in London in 1902, and another in
Constantinople in 1913. In modern Turkey, until at least the late 1990s, the
book was on the official list of banned books.
http://infowelat.com/interview-with-a-american-armenian-writer.html

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